{"title":"Pre-orders","description":"","products":[{"product_id":"listen-to-art-farmer-and-the-orchestra-vinyl-lp","title":"Listen To Art Farmer And The Orchestra: Vinyl LP","description":"\u003cp\u003eListen to Art Farmer and the Orchestra, recorded in 1962 and released the following year on Mercury, stands as one of trumpeter\/flugelhornist Art Farmer’s most ambitious statements as a leader. The album places Farmer at the forefront of a large ensemble arranged and conducted by Oliver Nelson, whose writing gives the project a striking blend of sophistication and swing. The personnel bridges New York’s hard-bop scene with leading studio and jazz musicians, with Farmer featured as the principal solo voice against Nelson’s full complement of brass, reeds, and rhythm. Guitarists Jim Hall and Barry Galbraith, bassist George Duvivier, drummer Charlie Persip, and pianist Tommy Flanagan are among the players supporting Farmer. They appear alongside an expanded orchestral roster of trumpets, trombones, French horns, reeds, and percussion. Nelson’s orchestrations give him space to showcase his lyricism and poised tone, balancing tightly arranged ensemble passages with luminous solo statements. This program draws on beloved standards — including ‘Street of Dreams’, and ‘Naima’ — and the orchestral setting underscores why Farmer was regarded as one of the era’s most elegant and expressive horn players. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eStreet Of Dreams\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRain Check\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRue Prevail\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Sweetest Sounds (From \"No Strings\")\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMy Romance (From \"Jumbo\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFly Me To The Moon\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNaima\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRuby\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Art Farmer","offers":[{"title":"Default Title","offer_id":45897516318954,"sku":"5701505","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/6102\/2698\/files\/2_59326373-9a49-40b3-a01f-9f798e9ab196.webp?v=1778252644"},{"product_id":"vida-brazil-vinyl-series-green-vinyl-lp","title":"Vida (Brazil Vinyl Series): Green Vinyl LP","description":"\u003cdiv class=\"S3Krl\"\u003e\n\u003cdiv class=\"ZKRKU\"\u003e\u003cdiv class=\"fV3Jt\"\u003e\u003cdiv class=\"GOJZx\"\u003e\u003cdiv class=\"agPPc U4hHe hWX7X fs-mask\"\u003e\n\u003cp\u003eWith different classics songs, Vida showcases an artist in an exuberant phase, inspired by lyrics, music, and singing. At 36 years old, even while recording songs that had already been hits on classic albums, such as \"Bastidores\" (which revived Cauby Peixoto's career) and \"Morena de Angola\" (which became a hit with Clara Nunes), Chico Buarque proves himself an excellent interpreter of his own work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in December 1980, when, amid bombs and attacks, Brazil was rehearsing its redemocratization, the album features an artist less targeted by censorship. In the irresistible dance hall samba \"Deixa a Menina,\" he has fun, fitting in a feminist response to Geraldo Pereira's syncopated classic \"Sem Compromisso\": \"Behind a sad man, there's always a happy woman\/ And behind that woman, a thousand men, always so kind.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Cuban-accented title track was composed for the play \"Geni\" by Marilena Ansaldi and reveals a character who, near death, makes a bittersweet assessment, but get attached to his love for life. \"Light, I want light,\" sings Chico, paraphrasing Goethe's famous last words (\"light, more light\"), amidst the sublime orchestration of Francis Hime. \u003cbr\u003e\"Vida\" consolidates the golden period of his synergy with his partner Francis. He is the one who creates the masterful arrangements on ten of the twelve songs, expanding the delicacy of anthological gems like \"Mar e lua\" and \"Qualquer canção\", and lending the appropriate grandeur to \"Fantasia.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the masterpiece \"Eu Te Amo,\" written with Tom Jobim for Arnaldo Jabor's film of the same name, the arrangement and piano are by Tom himself.\u003cbr\u003eAnother classic track is \"Bye Bye, Brasil,\" co-written with Roberto Menescal for Cacá Diegues' film. It's a bolero influenced version, unlike the funky recording released as a single in 1979, with Menescal's classy arrangement. In the lyrics, with pop humor, Chico unravels the profound transformation of Brazil in the decade that was ending.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA treasure of the affective memory of several generations of MPB fans, makes \"Vida\" a undebatable classic.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"i_jYa\"\u003e\u003cdiv class=\"Cvgi1\"\u003e\u003cbr\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Chico Buarque","offers":[{"title":"Default Title","offer_id":45960298660074,"sku":"5562763","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/6102\/2698\/files\/5562763.png?v=1778056745"},{"product_id":"louvacao-brazil-vinyl-series-red-vinyl-lp","title":"Louvação (Brazil Vinyl Series): Red Vinyl LP","description":"\u003cp\u003eGilberto Gil's first album, Louvação, was released in 1967 by Philips Records. On the eve of the rise of Tropicalismo and electric guitars, the Bahian artist's guitar is the star of the arrangements orchestrated by Carlos Monteiro e Souza, Dori Caymmi, and Leonardo Bruno. Social, political, and religious issues are transformed into sambas, bossa nova, and classic carnival song, as well as Northeastern rhythms. Gil calls for the people's attention on the title track, \"Louvação,\" a formidable collaboration with Torquato Neto, also co-author of \"A rua,\" a precocious and bittersweet nostalgic baião. His passion for Bahia spreads like the waters in the lyrical \"Beira-mar,\" composed with Caetano Veloso. Equally poetic is Gil's vision of the Soviet spacecraft's moon landing in \"Lunik 9\": \"Maybe there's no more moonlight to illuminate my song,\" he imagines. The young people are called to see truth prevail in a carnival filled with political significance in \"Ensaio Geral.\" Ancient festivities are recalled in \"O Rancho da Rosa Vermelha,\" written with Torquato and Geraldo Vandré, while samba schools are mentioned in \"Mancada,\" a great samba full of bossa nova. Written with João Augusto, the brilliant \"Roda\" stands out for its rhythmic inventiveness and critical lyrics. A celebration of northeastern resistance, \"Viramundo\" is a collaboration with Capinan, as is the nostalgic \"Água dos Meninos.\" The simple \"Maria (Me Perdoa, Maria)\" is the album's romantic moment. Sertanejo faith and its social contours are the theme of \"Procissão,\" one of Gilberto Gil's most beautiful and important songs, which closes the album.  \u003c\/p\u003e","brand":"Gilberto Gil","offers":[{"title":"Default Title","offer_id":45960305967338,"sku":"5540393","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/6102\/2698\/files\/gilberto.png?v=1778056745"},{"product_id":"ella-fitzgerald-sings-the-cole-porter-song-book-verve-acoustic-sounds-vinyl-2lp","title":"Ella Fitzgerald Sings The Cole Porter Song Book (Verve Acoustic Sounds): Vinyl 2LP","description":"\u003cp\u003eReleased in 1956 as the inaugural album on the newly founded Verve label, Ella Fitzgerald Sings the Cole Porter Song Book marked a major turning point in Ella Fitzgerald’s career and launched her landmark Song Book series, pairing her with producer Norman Granz, arranger-conductor Buddy Bregman, and a full studio orchestra for 32 selections spanning Porter’s catalog. Recorded across February and March of 1956, the album frames Ella’s immaculate phrasing and clarity with polished West Coast orchestration that blends swing, ballad writing, and classic Hollywood sheen, emphasizing the lyrical wit and melodic elegance of Porter’s writing. Celebrated upon release and formative in shaping both Verve’s identity and Ella’s artistic trajectory, it remains a cornerstone of her discography and a defining document of 20th century American popular interpretation.\u003c\/p\u003e\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging. \u003c\/p\u003e\u003cp\u003eLP1 Side A\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e1. All Through The Night\u003cbr\u003e2. Anything Goes\u003cbr\u003e3. Miss Otis Regrets\u003cbr\u003e4. Too Darn Hot\u003c\/p\u003e\u003cp\u003eLP1 Side B\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e1. Let's Do It\u003cbr\u003e2. Just One Of Those Things\u003cbr\u003e3. 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The extended live performances “India” and the 15-minute title track showcase both groups' growing command of sustained improvisation and rhythmic interplay, while the studio cuts “Up ’Gainst the Wall” and “After the Rain” provide contrasting snapshots of hard-driving momentum and lyrical introspection. Issued amid a run of landmark releases, the album stands as a concise yet essential portrait of Coltrane’s shift toward longer forms, expanded harmony, and the exploratory balance that would define his mid-1960s output.\u003c\/p\u003e\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging. \u003c\/p\u003e\u003cp\u003eSide A\u003cbr\u003e1. India\u003cbr\u003e2. Up 'Gainst The Wall\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSide B\u003cbr\u003e1. Impressions\u003cbr\u003e2. 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The album, which was co-produced by his son Thingo Makhathini, refracts Makhathini’s distinctive sound through a broad spectrum of sonic settings with bassist Dalisu Ndlazi and drummer Lukmil Perez plus collaborators including Black Coffee, Shabaka, Omagugu, Thando Zide \u0026amp; Muneyi.\u003c\/p\u003e\u003cp\u003eSide A\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e1. Kuzodlula\u003cbr\u003e2. Imvunge KaNtu\u003cbr\u003e3. Kwamabili\u003cbr\u003e4. Unembeza\u003c\/p\u003e\u003cp\u003eSide B\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e5. Liyoze Line Nangakithi\u003cbr\u003e6. What People Say\u003cbr\u003e7. Primordial Egg\u003cbr\u003e8. Ekuqaleni\u003c\/p\u003e\u003cp\u003eSide C\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e9. Ḽiṅwalo ḽa Mubebi\u003cbr\u003e10. Umbono\u003cbr\u003e11. Ḽiṅwalo ḽa Mubebi (reprise)\u003c\/p\u003e\u003cp\u003eSide D.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e12. Tethered\u003cbr\u003e13. Ongaphesheya\u003cbr\u003e14. What People Say (reprise)\u003cbr\u003e15. 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Subtitled “Edition I \u0026amp; II” to reflect the two complete takes recorded at the session—and presented together on LP for the first time—the piece is a nearly 40-minute large-ensemble performance marking Coltrane’s decisive embrace of the avant-garde.\u003c\/p\u003e\u003cp\u003eRecorded on June 28, 1965, at Rudy Van Gelder’s Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ensemble of eleven musicians. Alongside Coltrane’s tenor saxophone are trumpeters Freddie Hubbard and Dewey Johnson; saxophonists Pharoah Sanders, Marion Brown, John Tchicai, and Archie Shepp; pianist McCoy Tyner; bassists Art Davis and Jimmy Garrison; and drummer Elvin Jones. The music alternates between densely textured collective improvisation and extended solo statements, conjuring a hurricane of violent, searching sound. Initially controversial for its intensity and freedom, \u003cem\u003eAscension\u003c\/em\u003e has since come to be recognized as a landmark of modern jazz and a defining statement of the emerging free-jazz movement. Presenting both takes together highlights the organic, ever-changing character of the performance and affirms its enduring place in Coltrane’s artistic legacy.\u003c\/p\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP 1 - Ascension (Edition I)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\u003cli\u003eAscension (Part 1)\u003c\/li\u003e\u003c\/ol\u003e\n\u003cbr\u003e\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\u003cli\u003eAscension (Part 2)\u003c\/li\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eLP 2 - Ascension (Edition II)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\u003cli\u003eAscension (Part 1)\u003c\/li\u003e\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\u003cli\u003eAscension (Part 2)\u003c\/li\u003e\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\u003c\/div\u003e","brand":"John Coltrane","offers":[{"title":"Default Title","offer_id":45992418246890,"sku":"95711798","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/6102\/2698\/files\/4_e79d94ac-a310-44ed-926d-fd93b3d40ea8.webp?v=1780665185"},{"product_id":"tears-won-t-lie-vinyl-7-single","title":"Tears Won’t Lie: Vinyl 7\" Single","description":"\u003cp class=\"MsoNormal\"\u003eFollowing a standout performance on Jimmy Kimmel Live! and the release of her acclaimed debut album Dancing At The Edge Of The World (2025), Brooke Combe returns with her infectious new single “Tears Won’t Lie”, her first release on Fontana Records.\u003cbr\u003e\u003cbr\u003eProduced by James Skelly (The Coral) at Kempston Studios in Liverpool, the track is packed with charm, swagger and Brooke’s signature soul-filled vocals. The B-side features Brooke’s stunning rendition of Barbara Lynn’s “You’re Losing Me”, an exclusive vinyl-only release and the perfect showcase for her voice.\u003cbr\u003e\u003cbr\u003ePressed on black 7” vinyl and housed in a premium spined sleeve with die-cut detailing, this release is strictly limited to 1,000 copies.\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eTrack List\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eSide A\u003c\/p\u003e\u003col\u003e\u003cli class=\"MsoNormal\"\u003eTears Won't Lie\u003c\/li\u003e\u003c\/ol\u003e\u003cp class=\"MsoNormal\"\u003eSide B\u003c\/p\u003e\u003col\u003e\u003cli class=\"MsoListParagraph\"\u003eYou’re Losing Me\u003c\/li\u003e\u003c\/ol\u003e","brand":"Brooke Combe","offers":[{"title":"Default Title","offer_id":45994921230570,"sku":"5762335","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/6102\/2698\/files\/Side_A_4.png?v=1776436503"},{"product_id":"between-us-12-vinyl-ep","title":"Between Us: 12\" Vinyl EP","description":"\u003cp\u003eJordan Rakei’s Between Us EP captures a moment of pure creative exchange, bringing together a handpicked circle of collaborators including FKJ, Jalen Ngonda, Nubya Garcia, Tom McFarland (Jungle) and Femi Koleoso (Ezra Collective). Built from spontaneous one-day sessions at Abbey Road, each track holds onto the immediacy and honesty of those first ideas, resulting in a collection that feels both intimate and expansive.\u003cbr\u003e\u003cbr\u003eBlending soulful production, rich instrumentation and a collaborative spirit, Between Us showcases Jordan not just as a songwriter and producer, but as a curator of sound, uniting distinct voices into one cohesive world. Available on 12\" vinyl for the first time, this limited pressing offers a tangible way to experience the EP’s rich, cinematic sound in full.\u003cbr\u003e\u003cbr\u003eTrack List:\u003cbr\u003e\u003cbr\u003e1. What It Gave Me (ft Jalen Ngonda)\u003cbr\u003e2. Easy To Love (ft Tom McFarland)\u003cbr\u003e3. It Never Ends (ft Femi Koleoso)\u003cbr\u003e4. Problems (ft FKJ)\u003cbr\u003e5. 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It was the band’s first album with the original line up of Phil Lynott (Bass and Vocal), Eric Bell (Guitar) and Brian Downey (Drums). This LP was Thin Lizzy putting all they had into the music and taking risks. It’s passionate, high energy and distinctive. \u003c\/p\u003e\u003cp\u003eThese deluxe CD and LP releases celebrating the 55th Anniversary of Thin Lizzy’s debut studio album feature rarities, BBC Sessions and unreleased music never previously heard.  The 3CD \/ Blu-Ray features 15 unreleased tracks including the previously unreleased studio track, ‘Beggar’s Song’. The tracklist also includes the rare New Day EP alongside other rarities and BBC sessions. \u003c\/p\u003e\u003cp\u003eThe 3CD format also contains a brand-new stereo mix from Richard Whittaker and comes with a Blu-Ray with a first ever Dolby Atmos Mix. 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It’s passionate, high energy and distinctive. \u003c\/p\u003e\u003cp\u003eThese deluxe CD and LP releases celebrating the 55th Anniversary of Thin Lizzy’s debut studio album feature rarities, BBC Sessions and unreleased music never previously heard.  \u003c\/p\u003e\u003cp\u003eThe 2LP includes the original album alongside a brand-new stereo mix from Richard Whittaker on green colour vinyl. \u003c\/p\u003e\u003cp\u003eTracklist:\u003cbr\u003eSide One\u003cbr\u003e1. The Friendly Ranger at Clontarf Castle\u003cbr\u003e2. Honesty Is No Excuse\u003cbr\u003e3. Diddy Levine\u003cbr\u003e4. Ray-Gun\u003cbr\u003e5. Look What the Wind Blew In\u003c\/p\u003e\u003cp\u003eSide Two\u003cbr\u003e1. Eire\u003cbr\u003e2. Return Of the Farmer's Son\u003cbr\u003e3. Clifton Grange Hotel\u003cbr\u003e4. Saga Of the Ageing Orphan\u003cbr\u003e5. Remembering (Part One)\u003c\/p\u003e\u003cp\u003eSide Three\u003cbr\u003eThin Lizzy - New Richard Whittaker Stereo Mix\u003cbr\u003e1. 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Their 1971 album \u003cem\u003eGrowers of Mushroom\u003c\/em\u003e is widely regarded as their definitive release—a tightly executed collection of hard-edged tracks that capture the band’s energy with minimal studio interference, resulting in a dynamic, unpolished sound that resonates strongly with audiophiles and collectors alike.\u003c\/div\u003e\u003cp class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\u003cspan\u003eAlthough it received limited recognition at the time of release, the album has since undergone significant reappraisal, earning cult status and becoming a highly sought-after title within the vinyl community. Its reputation for heavy, riff-driven songwriting and authentic period production has cemented its place as a key influence on later generations of hard rock and stoner bands, making \u003cem\u003eGrowers of Mushroom\u003c\/em\u003e an essential addition for collectors seeking foundational recordings from the era.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\u003cspan\u003eThis edition has been cut for an all-analogue release by Alex Wharton at Abbey Road Studios.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\u003cspan\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003e\u003cspan\u003eFreelance Fiend\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSad Road to the Sea\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDrowned My Life in Fear\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWork My Body\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp class=\"ms-outlook-mobile-reference-message skipProofing\"\u003e\u003cspan\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003e\u003cspan\u003eStray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWith a Minute to Go\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGrowers of Mushroom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eStagnant Pool\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"ms-outlook-mobile-reference-message skipProofing\"\u003eSawdust Caesar\u003c\/div\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Leaf Hound","offers":[{"title":"Default Title","offer_id":46040444993770,"sku":"5767722","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/6102\/2698\/files\/Leaf_Hound_Grower_Of_Mushrooms_1LP_Exploded_281_29.png?v=1779376565"},{"product_id":"growers-of-mushroom-the-thousand-club-pressing-no-1","title":"Growers Of Mushroom (The Thousand Club) - Pressing No. 1","description":"\u003cp\u003eFormed in the late 1960s, Leaf Hound are a British rock band whose raw, blues-driven sound helped define the heavier end of early hard rock and laid important groundwork for what would later evolve into stoner rock. 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Its reputation for heavy, riff-driven songwriting and authentic period production has cemented its place as a key influence on later generations of hard rock and stoner bands, making Growers of Mushroom an essential addition for collectors seeking foundational recordings from the era.\u003c\/p\u003e\u003cp\u003eThis edition has been cut for an all-analogue release by Alex Wharton at Abbey Road Studios.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e1. Freelance Fiend\u003cbr\u003e2. Sad Road to the Sea\u003cbr\u003e3. Drowned My Life in Fear\u003cbr\u003e4. Work My Body\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e1. Stray\u003cbr\u003e2. With a Minute to Go\u003cbr\u003e3. Growers of Mushroom\u003cbr\u003e4. Stagnant Pool\u003cbr\u003e5. 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Records, The Artistry of Freddie Hubbard captures the trumpeter at a pivotal early stage, showcasing his technical brilliance, warmth, and rhythmic command within a versatile ensemble of Art Davis, Curtis Fuller, John Gilmore, Louis Hayes and Tommy Flanagan. Produced by Bob Thiele, the album blends originals and standards, highlighting Hubbard’s compositions like “The 7th Day” and a fine arrangement of the Ellington-Tizol classic “Caravan,” while balancing hard bop, balladry, and modal harmony. Gilmore’s distinctive tenor complements Hubbard’s sculpted lines, Fuller and Flanagan provide harmonic depth, and Davis and Hayes drive a responsive rhythm section, resulting in a cohesive session that documents Hubbard’s emergence as a defining voice of 1960s jazz.\u003c\/p\u003e\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\u003cp\u003eSide A\u003cbr\u003e1. Caravan\u003cbr\u003e2. 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